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Driving platform drivers only accept private orders before the festival： 10 kilometers, the asking price is 200 yuan

Private orders before the driving festival: 100 yuan for 3 kilometers!

■ The driver squatted at the door of the hotel and raised the price privately ■ Driving platform: In case of disputes or accidents, it has nothing to do with the platform

Morning News reporters, Wu Linhua, Zhang Shuo, Shen Yang

With the Spring Festival approaching and the number of parties increasing, chauffeurs have become the choice of many people. But recently, more and more citizens have found that chauffeurs are becoming more and more difficult to call. On major chauffeur service software, it is difficult to find chauffeurs to take orders even if they add money. But when these chauffeur service software shows that "there are no free drivers nearby", the chauffeurs squatting at the gates of major hotels gather to chat and wait for business.

It turned out that,Many chauffeurs have not taken orders through the platform recently, but have directly negotiated business with employers at the entrance of the hotel, and the asking price is also hot: 150 yuan for 5 kilometers and 200 yuan for 10 kilometers.

Owners are worried that, compared to the price of the lion’s mouth, these drivers bypass the platform to take orders privately, in case of a traffic accident, what should we do?

[Public feedback]

"Black driving" mode: The driver only accepts private orders.

"It’s clearly only 5 kilometers away, and the driver wants 150 yuan when he opens his mouth, which is too scary." Last Tuesday, Wang Jun (a pseudonym) had a party with friends, and it was nearly 10 pm after three rounds of drinking. Walking out of the hotel, Wang Jun called several driver companies as usual, and the reply was "Sorry, there is no free driver now". Wang Jun opened the driver software on his mobile phone again, either showing "There are no free drivers nearby", or no one took the order after waiting for nearly 10 minutes.

At this time, three or four chauffeurs who had been waiting at the door of the hotel enthusiastically walked towards Wang Jun, but the price they offered was not so enthusiastic: from Changshu Road on Yan’an Road to Caojiadu, less than 5 kilometers, they asked for 150 yuan, and it was a one-off price. In desperation, the slightly drunk Wang Jun had to pay 150 yuan to one of the chauffeurs.

With the Spring Festival approaching, many car owners have encountered the above situation. It turns out that recently, many chauffeurs have stopped turning on the machine to take orders, just waiting at the door of the hotel to take private orders. "The asking price is one or two hundred yuan for the journey closer, and three or four hundred yuan for the farther one. They don’t have to share with the company, so they can earn more." However, what worries Wang Jun is that these chauffeurs take orders privately, isn’t it a return to the mode of "black chauffeur"?

[Reporter visit]

Within 10 kilometers of Hongqiao Road, starting at 200 yuan

At 9:30 p.m. on the 22nd, the morning news reporter arrived at Jingcai Xuan on Hongqiao Road, and many chauffeurs riding electric scooters gathered together in twos and threes at the entrance of the hotel to wait for customers.

"There is no need to swipe, it is difficult to find a chauffeur on the platform now." A chauffeur on an electric scooter kept reminding a man who had just come out of the restaurant. The man swiped the chauffeur app on his mobile phone for three or four minutes, and found that no driver had taken the order. Finally, he stopped: "200 yuan is 200 yuan." Then, the chauffeur drove away with the man.

So, what is the difference between the platform price and the actual price of the driver’s private order?

Reporters use a driving platform APP to place an order. The route is from Jingcai Xuan to Xinzhuang Metro Station South Square, about 12 kilometers away. The driving platform shows 99 yuan, which is still the price after 1.3 times the price has been adjusted due to strong demand.

But the news sank into the sea, and the reporter waited for nearly 10 minutes without receiving any response. The driver software showed that there were no free drivers around, but there were four drivers who had been chatting in front of the reporter.

"Now the starting price within 10 kilometers is 200 yuan, and the price is negotiated directly. There is no need for a platform. If it exceeds 10 kilometers, you will add money." A driver wearing leather pants and a cotton hat rubbed his hands and told reporters that it costs 200 yuan to go to Xinzhuang.

The driver said that the price increase started three or four days ago. Most of the drivers have returned to their hometowns for the Chinese New Year, and some are unwilling to come out to do business because of the cold weather at night recently. There are fewer people and more business, so the fee has also gone up.

The Yellow River Road is 5 kilometers away, and the asking price is 150 yuan.

Because it is located in the city center and has many restaurants, Huanghe Road has always been the first choice for many citizens to gather for dinner. At 9 pm on the 22nd, most dinners were coming to an end, and more drivers gathered near Huanghe Road near Beijing West Road. But when the reporter opened a driving platform APP, the mobile phone screen showed "There are no free drivers nearby".

Before 22 o’clock, according to the official standard of a certain driving platform, the fee should be 39 yuan for about 5 kilometers from Huanghe Road to Sun Yueguang near Dapu Bridge. But when the reporter asked a driver who was unwilling to take orders on the APP, he opened his mouth and asked for 150 yuan. "Just from Huanghe Road to Wanrong Road, Yanchang Road, I asked someone for 200 yuan."

Coincidentally, in a parking lot near the Yellow River Road, a chauffeur was preparing to drive home for the owner. The reporter stepped forward to ask, and the chauffeur admitted that he had received a private order, and "advised" the reporter that if he wanted to find a chauffeur, no one would accept the order on the APP now, "just look for it on the side of the Yellow River Road."

When asked about the price of receiving the order, the driver did not reply, but the owner replied: "100 yuan for a 3-kilometer road, can you afford it?"

[Dialogue with the driver]

The price of private pick-up is more than twice that of the platform.

For the driver Lin Feng (pseudonym), after 8 o’clock every night, the driver’s work has just begun, and from 9 o’clock to 12 o’clock in the evening is the peak period for the driver’s order. He also took orders after 3 o’clock in the morning at the latest.

Lin Feng also confessed to reporters that in addition to being a driver on a certain driving platform, he is also a driver on two other platforms, one person doing three, and there are not a few drivers like him who work part-time on different platforms.

However, as the Spring Festival approached, Lin Feng rarely used the driving software on his mobile phone to pick up jobs. "Look, on my mobile phone, there are more than 30 orders on only one price platform that have not been answered. Although many customers have added 20 or 30 yuan in tips."

Lin Feng and other chauffeurs said that the price of private orders is now more than twice that of the platform, "basically starting at 150 yuan", and will not be drawn by the platform. These days, they can receive at least three orders every night.

Another driver believes that, firstly, the Chinese New Year is approaching, and secondly, the charges are negotiated with the guests, so it is normal to earn more.

At 10:30 p.m. on the 22nd, Lin Feng walked into a restaurant to see the remaining diners, then rode to the parking garage to observe for a while, and calmly told the reporter, "There are still guests, you can wait a little longer."

[The driving platform responds]

Private orders are not guaranteed in case of disputes or accidents

Regarding the phenomenon of private orders taken by the driver, the reporter contacted a driver platform yesterday. The customer service staff said that the driver belongs to the service industry, and the driver cannot refuse the order and cancel the order without reason. The driver must go to work through the driver’s end to listen to the order, hang a tag when making an order, and be equipped with white gloves, seat covers and trunk pads; confirm with the customer before and after billing.

If the user finds that the driver does not go to the platform, increases the price privately, and collects tips indiscriminately, this is a "black order", and the customer can write down the driver’s tag job number and report it to the platform official. The customer service staff said that there are still people posing as the platform’s driving staff, and the customer can also directly take pictures for evidence collection and report it to the platform, or even directly choose to call the police.

The relevant personnel of the public relations department of a driving platform told reporters that at present, as the Spring Festival is approaching, the number of drivers who go to work normally has indeed decreased. There is no specific data on the order volume, but the supply and demand are more tight than usual.

The customer service staff of the chauffeur platform said that it is recommended that users use the platform to find chauffeurs, so that the service quality and safety will be guaranteed. The company has chauffeur liability compensation insurance, and there are clear restrictions on drivers who take detours, are unfamiliar with the road, dump passengers halfway, and have verbal and physical conflicts. Drivers on duty have 12 chauffeur points. If they violate the regulations, corresponding points will be deducted. After deduction, the account will be frozen, and if they are serious, they will be fired directly.

"If the employer and the driver place and receive orders on the official driving platform, if there is a traffic accident, or if there is a traffic violation caused by the driving, you can complain to the driving platform and the platform will deal with it accordingly." Another driving platform customer service staff told reporters yesterday, but if the employer and the driving driver reach an agreement privately, that is, a "private order", in case of a traffic accident or traffic violation, it has nothing to do with the driving platform.

[Lawyer’s statement]

Driving privately takes orders

Suspected of illegal operation

Regarding the phenomenon of driving drivers receiving private orders before the festival, Ge Zhihao, a lawyer at Beijing Guantao Zhongmao (Shanghai) Law Firm, said that drivers who bypass the platform to receive private orders are suspected of illegal operations, commonly known as "black driving". Once an accident or traffic violation occurs during the driving process, both employers and drivers will face huge risks.

Ge Zhihao, a lawyer, said that the driver bypassing the platform to take orders privately is a personal business behavior, and has not obtained market permission, and is suspected of engaging in illegal business operations. Because these "black driver" do not have commercial insurance, in the event of an accident, the responsibility must be borne by the individual: "If the’black driver ‘does not have the ability to compensate, it will be very troublesome for the employer."

Ge Zhihao said that if an employer directly hires an individual to do the driving, in the event of an accident, the employer shall bear the tort liability according to the Tort Liability Law. Of course, if the hired driver causes damage due to intentional or gross negligence, he shall bear joint and several liability with the owner according to law.

But in real life, employers do not know the personal information of the driver. If an accident occurs, the accountability process is very difficult. Once a dispute or loss occurs, the employer is likely to face a situation where there is no way to complain or the loss cannot be made up.

But the situation is different when looking for a driver through the platform. In order to avoid risks, the common practice of the driver company is to raise the entry threshold of the driver, set a unified charging standard and monitor the whole process. The most important thing is to purchase insurance for the driver, the owner and the vehicle.

In addition, if an accident or damage occurs during the driving process, according to the relevant provisions of the Contract Law and the Tort Liability Law, if the driver, as an employee of the driving company, causes damage to other people’s property while performing his duties, the driving company shall bear the corresponding compensation liability; if the driver causes damage due to gross negligence, the driving company can hold him accountable: "For employers, finding a driver through a formal platform can minimize their own risk."

Remember Junko Deer in Volleyball Woman？ We had a close contact with her.

Caption: Xiaolu Junzi plays Yumiko Araki Xinmin Evening News reporter Guo Xinyang photo

Caption: Yumiko Araki wrote an inscription for the readers of the Evening News.

"I will be 60 years old on January 25 next year, so I want to’ regain my dreams’." Last night, in an exclusive interview with this newspaper, Yumiko Araki, the "Junko of Little Deer", revealed that she made her debut as a singer before filming the TV series Volleyball Woman (also translated as Flame of Youth). So, starting from January 6th next year, she will perform at the China Grand Theatre. In those days, after all China audiences were ignited by her youth, she retired. Where did she go after all those years?

Taking care of her mother-in-law for more than 20 years

Yumiko Araki took care of her mother-in-law who suffered from Alzheimer’s Harmo’s disease at home for twenty or thirty years-and it started a week after her marriage, and she didn’t even have a honeymoon. When it comes to this matter now, Yumiko Araki is also indifferent. When she was sitting on the sofa, she still had light in her eyes. Years have not stolen anything from her except a few wrinkles around her eyes when she smiles. Because her father wanted to be a singer but failed, when she debuted at the age of 17, she chose a singer, "which is considered to have fulfilled her father’s dream." From her mobile phone, she found an old photo of singing on the stage in a red dress and holding a microphone. She was full of energy while singing and dancing. At that time, the appearance was very close to that of the 19-year-old who played Junko Little Deer in Volleyball Woman, except that he hadn’t put on Junko Little Deer’s braid yet. "Originally, he only planned to shoot for half a year, but as a result, the ratings kept rising, with a total of 71 episodes filmed until he was 22 years old."

Caption: "Little Deer Junko" style is still Xinmin Evening News reporter Guo Xinyang photo

At the age of 23, Yumiko Araki met her true love, and she was a famous Japanese singer Yukihara. Only one week after her marriage, her mother-in-law was paralyzed, and because she had Alzheimer’s disease, it was quite difficult to care for her. Yumiko Araki was often "wronged" by her mother-in-law, but she did not hesitate to take care of her mother-in-law and quit the show business. In the eyes of fans, this is a "great sacrifice." However, in her view, "this is what I should do as a woman, wife and daughter-in-law!" She has a good relationship with her husband who is 13 years older than her, and he is an only child, so she feels that she is duty-bound.

What makes people feel is that today, she is still very optimistic about this matter, laughing and saying: "I think I played Junko Little Deer to understand the fighting spirit and never give up. Moreover, because I play Junko, I am in excellent health, so I have enough physical strength to take care of my mother-in-law. "

Collective Memories of Volleyball Woman

The Volleyball Woman was first broadcast in Japan in 1979, and this year marks the 40th anniversary. At that time, volleyball was hot in Japan. In 1973, the women’s volleyball competition was added for the first time in the world, which was held every four years. The Japanese women’s volleyball team ranked second after the Soviet women’s volleyball team. In 1977, Japan won the second Women’s Volleyball World Cup, which inspired the Japanese women’s volleyball craze. Shotaro, a cartoonist, created The Flame of Youth, which Asahi TV adapted into a TV series for prime-time broadcast at night, and separated his cartoons as chapters in the TV series. The 71-episode TV series was broadcast in Japan until July 1980. In 1981, the China team led by coach Yuan Weimin took part in the competition. This team focused on Lang Ping, Zhang Rongfang, Sun Jinfang and other volleyball players who still look quite outstanding and outstanding today. After defeating Brazil, the Soviet Union, South Korea, the United States and Cuba all the way, they faced the Japanese team at home in the final. After arduous tug-of-war, the two sides fought fiercely for more than two hours, and China beat the last champion Japanese team 3-2. This women’s volleyball World Cup has touched the hearts of people all over the country. At that time, black and white TV sets were not popular in every household, and everyone tried their best to watch the live broadcast of the game. Every game of China team can make people empty.

Caption: "Volleyball Woman" stills network diagram

In this year, The Flame of Youth was broadcast in Hong Kong, which was very popular. Many girls will substitute themselves into roles and practice spiking during recess. In 1983, CCTV translated this TV series and named it "Volleyball Woman" and then broadcast it. Junko Little Deer jumped up and spiked in Hokkaido. As a result, the ball was broken, and a piece of paper was dropped, with the lens of "Tokyo" written on it, which made many girls in China hang a paper ball on the beam to practice spiking. Coupled with the still-popular "women’s volleyball spirit", the audience rating of this drama in China even far exceeds that of Japanese. Positive, optimistic, striving for the upper reaches and hard work, Junzi Xiao Lu crossed the border and became a common tear and collective memory of a generation.

"Clear sky thunderbolt" does not need body double.

"In Hokkaido, you rushed forward with logs and tires on your back and raced with thoroughbred horses. Did you shoot them yourself?" Yumiko Araki is only 1.60 meters tall. I can’t believe that her small body contains such explosive power and endurance.

"I made it all myself!" She nodded frequently: "At that time, there were almost no special effects and no body double, so all the actions were done by myself." She smiled again: "Because I have been filming for three years, it means that I have been exercising for three years. Therefore, after the TV station held an actor’s sports meeting, I was the first, hahaha! "

Caption: "Junko Deer" becomes a national idol network map.

Although there were no stunts in TV series at that time, because Yumiko Araki’s height was actually far less than that of volleyball players in life, other actors and even props in the whole drama were "scaled down" based on her height. For example, the net of volleyball has been reduced a lot, and the length, width and height of stadium seats have also shrunk. Other players just "look taller". However, Yumiko Araki did the forward somersault in "Clear Sky Thunderbolt" himself.

Caption: clear sky thunderbolt network map

While gesticulating, she explained: "The Clear Sky Thunderbolt was shot in four steps. The first step is my take-off posture; The second step is that I flip forward in the air; The third step is mid-air; The fourth step is the landing action. Then, connect the four steps. " So, except that I didn’t jump to the height above the volleyball net, everything else was for real. The attraction of this TV series lies in the cool ball skills that don’t exist in real life, such as "meteor chasing the moon" and "phantom whirlwind", because the emotion of the TV series is so real that the audience even suspects that these magical "big moves" seem to exist. In fact, when Yumiko Araki turned into Junko Deer, all the big moves that seemed impossible were realized by herself. That she once broke her chin …

Re-enter the stage at the age of 60.

Therefore, when serving her mother-in-law, she felt that even the "impossible difficulties" of Junzi Xiao Lu could be overcome, so could the immediate suffering. After more than 20 years, my mother-in-law’s last words before her death were: "Thank you, May …". I thought that if I stopped taking care of my mother-in-law, I could live according to my own wishes. However, she was found to have a tumor, which once made her give up her belief in life. However, at this time, she remembered Junzi’s attitude of never giving up, and summoned up the courage to walk into the operating room. It turned out that the tumor was benign. She rekindled the flame of youth, and also wrote a book entitled "The Consciousness of Nursing", reviewing the years when she got along with her mother-in-law and her understanding during it.

Caption: Yumiko Araki accepted an exclusive interview with Xinmin Evening News reporter Guo Xinyang.

This time, at the invitation of Xie Ming, a good friend and Shanghai singer living in Japan, she joined hands with Liu Mingkang, a "Yamaha Future Artist" and a young pianist with autism, to hold the concert "Singing in the Century, Music Bridge". In addition to Shanghai Station, she also plans to tour Ningbo and other places. Yumiko Araki can sing the theme song of Volleyball Woman. Xie Ming, a Shanghai singer, happened to record in Germany with Chang Xing of Tangyuan, so she became friends with Yumiko Araki. Because of her mother-in-law’s illness, Yumiko Araki is especially caring for those who are not treated well by fate but still want to make decisions for themselves. This is the combination of this concert.

"I’m almost 60 years old, and I have to work hard!" Say, Yumiko Araki showed a youthful smile and cheered for himself! (Xinmin Evening News reporter Zhu Guang)

Reporting/feedback

Everyone is searching.

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Magic flute 0A

People on the blacklist, people from the bottom of the Atlantic Ocean, Astro Boy, smart one-off, Huo Yuanjia, Zhen Chen, going to Hushan again, unsung heroes, and friends after the 1960s and 1970s are full of happy memories, bearing the passion of our youth. Every time we watch a TV series here, we yearn for being a role in the TV series, and it is full of positive energy … If an era is over, Silly, simple, but really happy!

2019-12-15

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2755

Maldini 2011

I feel the same way. I’ll watch all these plays again when I get a chance, and add some: Flower Fairy, Smurfs and Garrison Death Squad.

2021-04-07

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six

Lezhun

Full of memories, people are moved, and the years go by, feeling life. . It makes people’s eyes hot. .

2020-01-07

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one

All 373 replies

From the beautiful full moon in Lingering Garden

My favorite Japanese actresses, Yumiko Araki and Yamaguchi Momoe, are both pure and sweet, and they are willing to put aside their fame and fortune and be their true selves. The big winner in life!

2019-12-15

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906

C fengying jc

It’s Komaki Kurihara

2020-12-14

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one

The wind blows lotus garden fragrance.

Yumiko is greater and more commendable than Yamaguchi: because it is harder to take care of the elderly on the beach than to take care of their health,

2019-12-16

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one

All 9 replies

It’s a big deal. It’s a big deal.

Clear sky thunderbolt, phantom serve … Japanese volleyball drama.

2019-12-14

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604

Crossing Datang 888

Meteor fireball, spinning sun and moon, cross spike, flying swallow spreading its wings.

2019-12-15

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Hongkoufeng

I want to ask the same question, Hanako’s anti-aircraft gun service.

2019-12-15

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six

All 10 replies

Feihong Xiao Juan

Seeing her brings us back to that era 40 years ago. Simple people’s spiritual life is really empty. Fortunately, every family has just had a small black-and-white TV, and there are not many TV programs, such as Huo Yuanjia and volleyball girls, full of memories!

2019-12-14

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588

Kula the ice girl

I was lucky in the 1980s. After 00, I … Alas.

2019-12-16

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one

Nymph1314

Me, too. Hahaha, I had a good time with my classmates.

2019-12-15

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three

All 5 replies

Shanqin BR

Well done. When I was a child, I imitated Junko Deer, combed Junko’s hairstyle, hung a ball on the ceiling at home, practiced spiking every day, organized my classmates to play volleyball at school, liked running, learned the training movements in TV series to practice my physical fitness, bought a full set of picture books, and watched it every day … I loved this TV series of volleyball women, so I liked Japan.

2019-12-14

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517

Shanqin BR

Oh, my God, I watched the TV series in the era of Xiangyang Academy. At that time, my father was the president of Xiangyang Academy, and I was in charge of putting on the TV. Every day, I became a human antenna, and people from Xiangyang Academy who didn’t have a TV around came to our yard to watch Zisanshiro.

2019-12-16

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one

Shanqin BR

Oh, my God, I watched the movie in the era of Xiangyang Academy. At that time, my father was the president of Xiangyang Academy, and I was in charge of putting on the TV. Every day, I became a human antenna. People from Xiangyang Academy who didn’t have a TV around came to our yard to watch Zisanshiro.

2019-12-16

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one

All 8 replies

Shumai 0B

When I was thirteen or fourteen years old, I ran with my sisters at night, learning from the deer Haruko, and I tried my best to smash my head. Which wicked goods put a pile of wood at the intersection, and both of us got stuck.

2019-12-14

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515

Jiayoutao beauty

I also asked the barber to keep the pure flower head for me, but the length was not enough to finish cutting it.

2019-12-16

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Zhiyi Ai

I’ve combed my hair and played volleyball with a basketball. The one I hit with my hand hurts! And jump up the stairs one by one, but it’s fun! After 70

2019-12-15

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four

All 11 replies

A flowing snow

Good memories, when I practiced handstand like Junko Deer.

2019-12-14

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342

A flowing snow

Beautiful innocence and happiness at that time!

2019-12-15

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Yun ding Bei ning

I hit my calf when I practiced handstand!

2019-12-15

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four

All 11 replies

No dm

When I was a child, my favorite hairstyle was to comb a deer’s pure head

2019-12-14

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340

Gourmet lovers

Look in the mirror … Are you still pure?

2019-12-15

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All 19 replies

123hanh

Junko Deer is a memory we once had. The thunderbolt in the clear sky and the meteor fireball are all beautiful memories.

2019-12-14

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266

Sogou Fw32S

I haven’t seen anything since the reform and opening up at that time, and everything in a modern country looks fresh … What "Hunting", "Homecoming" and "Volleyball Woman" came in at the right time, which caused a sensation. Now that we have fully integrated with the international community, it’s nothing novel to see the world. On the other hand, it’s more attractive to see our nation, isn’t it …! ! ! (Ask, why didn’t Japanese dramas come in now … In addition to the so-called cold drama and cold current, the whole facial features were dressed in cool clothes, and the flurry of prancing around in China and even Asia has become a thing of the past, isn’t it?). So, the Japanese won by developing first … while the wooden stick was distinguished from nothing. It’s not your thing at all. You just learn from Europe and the United States, and eventually they all lost in the national charm competition …! ! ! )

2019-12-14

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234

Experienced a wonderful early 70 s

It will kill you to say that others are more advanced than us! Brainless goods!

2019-12-15

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seven

There is no ice front.

Dog flute

2019-12-15

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one

All 4 replies

6669990BIJy

Ah, comrades! ! ! Personally, I think it’s the first TV series in China, and it’s exposed. It should be in the early 1980 s, and it should be at least 50 years old after watching it! ! !

Kapok surfing in Luohe Mountain

：

There are still eighteen years of enemy camp.

2019-12-15

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200

Bear Sago 3

The eighties were full of passion, and the nineties began to regress.

2019-12-16

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praise

Smoke a little and worry a little

My family bought the first 14-inch Hitachi color TV in 1982, and I watched it at my father’s comrades-in-arms before.

2019-12-16

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praise

All 24 replies

Delicate asparagus has pride.

Pain and sadness, like the wind, are coming at me … The song seems to be still ringing in my ears, but it has been 40 years!

2019-12-14

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195

Dongli chrysanthemum garden is full of water.

I remember this song too!

2019-12-16

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one

Qiao hong min ff

At that time, in addition to volleyball women, there was Shaolin Temple the next year. Jue Yuan’s kung fu has made many boys practice a good posture.

cms1124

Wow! Childhood memories! Fancy seeing Yumiko Araki’s message here. The title of the play broadcast in Hong Kong in that year was also "Volleyball Woman", and the ratings were very strong. Schools in Hong Kong and Macao all blew volleyball, and many people fell in love with playing volleyball, so did I. Later, I became fascinated with Lang Ping, the national volleyball team of China. I remember that Junzi’s unique skill in Hong Kong was translated as "separation from heart". What a childhood memory! We must watch Gong Li’s China Women’s Volleyball this Lunar New Year.

2019-12-15

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154

right

2019-12-16

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Wu Wei 6P

Very positive and healthy beauty

2019-12-15

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four

vgghgcghhg

I miss that coach so much. He is so handsome.

2019-12-14

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114

Light wind 1972

Coach Daisuke

2019-12-15

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Nymph1314

Ha ha ha … A lot of people like you.

2019-12-15

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Central Meteorological Observatory： In the next three days, there will be strong winds in the coastal areas of South China.

　　CCTV News:According to the Central Meteorological Observatory, it is expected that in the next three days, attention will be paid to the development trend of typhoon "Little Dog" and the influence of wind and rain, and there will be strong wind disaster risks in the coastal areas of South China and the South China Sea.

　　Typhoon "Little Dog" will affect the southeast coast.

　　Typhoon KOINU, the 14th typhoon this year, was upgraded from typhoon level to strong typhoon level this afternoon (6th). At 5pm, its center is located in the northeast of the South China Sea, about 200km southeast of Shanwei City, Guangdong Province, which is 21.5 degrees north latitude and 116.7 degrees east longitude. The maximum wind force near the center is 14 (42m/s), and the lowest pressure at the center is 955 hectopascals, which is 7. It is estimated that "Little Dog" will move to the south-west direction at a speed of 5-10 kilometers per hour, and its intensity will be maintained or slowly weakened, and it will gradually approach the coastal area from the west of Guangdong to the east of Hainan Island.The Central Meteorological Observatory continued to issue a yellow typhoon warning at 18: 00 on October 6..

　　Affected by typhoon "Little Dog" and cold air, it is estimated that there will be strong winds of 6-8 grades and gusts of 9-10 grades in most parts of the East China Sea and the waters near Diaoyu Island, the Taiwan Province Strait, the northern part of the South China Sea, the coastal areas of Zhejiang, Fujian and Guangdong, among which there will be strong winds of 9-11 grades and gusts of 12-13 grades in parts of the coastal areas of Guangdong and the northern part of the South China Sea. From 20: 00 on the 6th to 20: 00 on the 7th, there will be heavy rain or rainstorm (50-65mm) in the southeast of Fujian and the east coast of Guangdong. From the night of the 6th to the day of the 9th, there was strong wind and rain in the coastal areas of eastern and southern Guangdong and central and southern Fujian.

　　Rain and snow weaken in the western region

　　From the night of the 6 th to the day of the 9 th, there were rainfall processes in southern Gansu, Sichuan, Chongqing, most of Guizhou, Yunnan and other places, and some areas had moderate to heavy rain; There are small to medium snow or sleet in eastern Tibet, southern and western Qinghai, and there is heavy snow locally.

　　Specific forecast for the next three days

　　From 20: 00 on October 6 to 20: 00 on October 7,There are small to medium snow or sleet in the western mountainous area of southern Xinjiang basin, southern Qinghai and eastern Tibet; There are moderate to heavy rains in parts of southeastern Tibet, eastern and southern Sichuan Basin, central and eastern Yunnan, central and southern Fujian, eastern Guangdong, southern Hainan Island and western Taiwan Province Island, among which there are heavy rains (50-65 mm) in parts of eastern Guangdong and southern Fujian coastal areas. There are 4 ~ 6 winds in parts of central and eastern Inner Mongolia, Liaodong Peninsula and eastern coastal areas of Zhejiang, and 6 ~ 7 winds in parts of central Tibet. There will be 6-7 northeast winds with gusts of 8 in the Taiwan Province Strait, and 8-9 northerly winds with gusts of 10 in the northeastern South China Sea (see Figure 1).

Figure 1 National Precipitation Forecast Chart (from 20: 00 on October 6 to 20: 00 on October 7)

　　From 20: 00 on October 7 to 20: 00 on October 8,There are small to medium snow or sleet in parts of southwestern Xinjiang, south-central Qinghai and northern Tibet, and there is heavy snow (5 ~ 9 mm) in central Qinghai; There are moderate to heavy rains in parts of southeastern Tibet, central and southern Yunnan, coastal areas in central and eastern Guangdong, northern and eastern Fujian and Taiwan Province Island, among which there are local heavy rains (50-80 mm) in coastal areas in southern Guangdong and southeastern Fujian. There are 6~7 winds and 8 gusts along the coast of Zhejiang, Fujian, Guangdong and the western coast of Taiwan Province Island. There are 6-8 winds and 9-10 gusts in most sea areas of the East China Sea, Taiwan Province Strait and northeastern South China Sea, among which there are 9-10 winds and 11-13 gusts in parts of Taiwan Province Strait and northeastern South China Sea (see Figure 2).

Figure 2 National Precipitation Forecast Chart (from 20: 00 on October 7 to 20: 00 on October 8)

　　From 20: 00 on October 8 to 20: 00 on October 9,There are small to medium snow or sleet in parts of southwestern Xinjiang, south-central Qinghai and northern Tibet; There are moderate to heavy rains in southeastern Tibet, southwestern Sichuan, central and southern Yunnan, coastal areas of Guangdong and Fujian, and parts of eastern Liaoning, with heavy rains (50-60 mm) in the southern coastal areas of Guangdong. There are 6-8 winds and 9-10 gusts in the southern part of the East China Sea and the Taiwan Province Strait, and 7-9 winds and 10-11 gusts in the northern part of the South China Sea and the north sea area of Beibu Gulf (see Figure 3).

Figure 3 National Precipitation Forecast Chart (from 20: 00 on October 8 to 20: 00 on October 9)

Strengthening cultural self-confidence and building a national cultural soft power communication platform

　　During the two sessions of the National People’s Congress this year, cultural self-confidence once again became the focus of hot discussion. The report of the 19th National Congress of the Communist Party of China pointed out that cultural self-confidence is a more basic, deeper and more lasting force in the development of a country and a nation. Without a high degree of cultural self-confidence and cultural prosperity, there would be no great rejuvenation of the Chinese nation. In the new era, China’s cultural construction has ushered in new opportunities for development, which should lead to the prosperity of socialist literature and art and the development of cultural undertakings and industries. We should tell the story of China well, improve the national cultural soft power and enhance the world influence of Chinese culture.

　　Carry forward Chinese excellent traditional culture and strengthen cultural self-confidence

　　The 2018 government work report suggests that the people’s sense of gain, happiness and security should be continuously improved. The report puts forward that it is necessary to carry forward Chinese excellent traditional culture, inherit revolutionary culture, develop advanced socialist culture and cultivate and practice socialist core values. Strengthen ideological and moral construction and create mass spiritual civilization. Accelerate the construction of philosophy and social sciences with China characteristics, prosper literary and artistic creation, and develop news publishing, radio, film and television, archives and other undertakings. Strengthen the protection and utilization of cultural relics and the protection and inheritance of cultural heritage. Build a new type of think tank. Strengthen the construction of Internet content. In-depth implementation of the project of benefiting the people through culture and cultivation of new cultural formats. Deepen cultural exchanges between China and foreign countries.

　　China’s cultural self-confidence stems from the excellent traditional Chinese culture nurtured by the Chinese nation’s 5,000-year history of civilization. During the National People’s Congress and the National People’s Congress, many deputies suggested that we must vigorously carry forward China’s excellent traditional culture, speed up the construction of a modern public cultural service system, and strive to provide rich spiritual food for the people to live a better life.

　　"The values of Chinese culture have become the most basic cultural gene of the Chinese nation. We talk about cultural self-confidence, mainly the confidence of values. " Chen Lai, member of Chinese People’s Political Consultative Conference and professor of philosophy department of Tsinghua University Humanities College, believes that one of our important tasks today is to vigorously inherit and develop Chinese excellent culture, strengthen cultural self-confidence and undertake the historical mission of realizing the great rejuvenation of the Chinese nation.

　　In the view of Jia Pingwa, a representative of the National People’s Congress and a writer, the excellent traditional culture of the Chinese nation, such as literary classics and historical sites all over the country, all reflect our cultural confidence. He said that to strengthen cultural self-confidence, we must learn and inherit excellent traditional culture and literary classics. He admits that in recent years, advocacy and initiatives such as reading by the whole people and restoring traditional culture are conducive to understanding, understanding and strengthening cultural self-confidence.

　　Liao Huage, deputy to the National People’s Congress and chairman of Nanyang Federation of Literary and Art Circles in Henan Province, believes that strengthening cultural self-confidence must start with teenagers. Young people are the pillars of the country’s future development. It is suggested that we should increase the intensity and scope of excellent traditional culture education from kindergarten to primary schools, middle schools and universities, so that young people can "remember to dig wells while enjoying the cool, and not forget to plant trees", so that they can learn nutrition from excellent traditional culture, find motivation, discover the beauty of Chinese culture, root their cultural confidence in their hearts, and be subtly affected, thus rallying a powerful force for building a great Chinese dream.

　　Deepen cultural exchanges between China and foreign countries and tell the story of China well.

　　Practicing cultural self-confidence requires us to tell the story of China well, spread the voice of China well, let Chinese culture go global, and promote cultural exchanges and mutual learning between China and foreign countries. According to the report of the 19th National Congress of the Communist Party of China, in the new era, China will actively promote international cooperation in the belt and road initiative, strengthen cultural exchanges between China and foreign countries, promote the construction of international communication capacity, tell the story of China well, show a true, three-dimensional and comprehensive China, and improve the country’s cultural soft power.

　　The Opinions on Strengthening and Improving Humanities Exchanges between China and Foreign Countries issued by the General Offices of the General Office of the Central Committee of the CPC and the State Council proposes to strengthen the comprehensive communication capacity building of humanities exchanges between China and foreign countries, promote the joint production, joint interview and cooperative publication of Chinese and foreign radio, film and television, publishing institutions and news media, promote the mutual broadcast and exchange of Chinese and foreign film and television programs, implement special exchange projects and plans in the fields of books, films and television, and cultural performances, and enrich the literary and artistic contents and carriers of humanities exchanges; Make "People-to-People Exchange in internet plus" bigger and stronger, and realize the mutual complement and benign interaction between the entity and the virtual exchange platform. By enriching the forms of media communication and building all-media and cultural communication institutions with international influence, we can tell the story of China well, spread the voice of China, explain the road of China, and enhance the closeness of China’s cultural image.

　　Wang Shucheng, member of Chinese People’s Political Consultative Conference and editor-in-chief of the overseas edition of People’s Daily, believes that telling the world the story of China in the new era is to promote the excellent Chinese culture silently and make cultural integration become a bridge between Community of Shared Future for Mankind. China’s culture is extensive and profound, and many ideas reflect the common value pursuit of human civilization. It is necessary to further enhance cultural self-confidence, and tell the story of China carefully by broadening horizons, expanding channels and integrating resources, so that Chinese and foreign cultures can realize benign interaction in exchanges and mutual learning; By further improving the level of creativity, China cultural symbols can be transformed into world-famous cultural products and ideas, and the world can perceive China and understand China through culture, thus effectively improving China’s cultural soft power.

　　"To spread the voice of China to the world and tell the story of China well, we need to study and choose the most effective communication strategy. It is necessary to understand each other’s historical traditions, cultural psychology and information acceptance habits. " An Laishun, member of Chinese People’s Political Consultative Conference and vice chairman of the International Association of Museums, believes that today, China culture has taken a decisive step to go abroad. What needs to be further strengthened is to let China culture really go in, enter each other’s hearts, resonate emotionally, and let people of all countries truly and naturally realize that Chinese culture is an excellent culture with eternal charm across time and space.

　　Wu Hongliang, member of Chinese People’s Political Consultative Conference and vice president of Beijing Painting Academy, said that telling the story of China well requires innovation in ways and means. He suggested that in the process of foreign cultural exchange, we can fully tap the international art collections and talent resources, and make use of the existing conditions in other countries to complete the exhibition, research and dissemination of China art locally. The result is low cost, quick effect, great influence and deep integration, which can improve China’s cultural soft power with half the effort and provide new ideas for promoting the international communication ability of China traditional culture.

　　China Cultural Exchange Network: Actively Building a National Cultural Soft Power Communication Platform

　　China Cultural Exchange Network, a comprehensive, public-welfare and cultural information website under the academic guidance of China Institute of Economic Reform and Development of Renmin University of China and Guosheng Think Tank, takes "promoting traditional culture and serving China in the future" as its purpose, actively implements "Several Opinions on Strengthening and Improving People-to-People Exchanges between China and Foreign Countries", earnestly strengthens the construction of communication capacity, and is committed to building an Internet cultural exchange platform and a national cultural soft power communication platform.

　　China Cultural Exchange Network integrates the Internet, mobile terminals, WeChat, Weibo, video, newspapers and other media platforms, and is forming a multi-level communication mode such as graphics, text, audio and video. The website has carried out strategic cooperation with domestic authoritative academic institutions, book publishing, film and television production, intangible cultural heritage protection, tourism, big data, industrial parks and other industrial entities, forming a systematic independent intellectual property right of "culture+",which has demonstrated China’s cultural soft power and cultural self-confidence in external communication. In September 2017, China Cultural Exchange Network was awarded the "Computer Software Copyright Registration Certificate" by the National Copyright Administration of People’s Republic of China (PRC) (registration number: 2017SR541515). It has successively obtained the trademark right granted by the State Trademark Office (registration number: 13524174), the copyright registration certificate issued by the State Copyright Administration (Guo Zuo Deng Zi -2014-F-00156441), and won the "China Government Website Excellence Award in 2014 and 2015", and the innovative service platform of "internet plus Culture" in 2016, which was approved by Beijing Press, Publication, Radio, Film and Television Bureau.

　　The large-scale network digital platform of "Window of China Digital Expo Hall" established by the website’s independent innovation spreads Chinese excellent traditional culture through the whole media with the digital technology of "Silk Road Cloud" from five aspects: network art museum, network literature museum, network intangible cultural heritage museum, network photography museum and network academic center. Among them, the network academic center is a new network think tank platform launched by China Cultural Exchange Network to promote the integration and innovation of "media think tanks". At present, many famous experts and scholars such as Wang Yiwei, Zhao Lei, Chen Ping, Zhang Xuedong, Ke Yinbin, Yuan Li, Zhao Jianjun, Zhang Baotong and Lu Yintao have been launched, and their important viewpoints, academic achievements and social influence have been presented and displayed intensively.

　　China Cultural Exchange Network has long been concerned about the cultural communication and economic development of "the belt and road initiative", and cooperated with the launch of large-scale special topics and special actions involving "the belt and road initiative" cultural exchange, tourism, ecology, pension, health, intangible cultural heritage protection, Chinese medicine, film and television, logistics and other fields. The website launched a series of new media projects such as "Silk Road Meeting Room" and "Think Tank Meeting Room", and through the platform information channel of "internet plus", The belt and road initiative Cultural Communication and Economic Development Forum, the belt and road initiative Intangible Heritage Protection Special Action, the belt and road initiative Hundred People Forum, Silk Road Business Leaders Summit (Xi ‘an), montana International Forum, Silk Road International Film Festival New Silk Road Youth Video Contest, the belt and road initiative (Weinan) Sister City Dialogue, the belt and road initiative (Weinan) Sister City Development Conference, and The Most Beautiful Sunset Red. Henan Zhongyuan Aquatic Logistics Port and other large-scale topics, deeply interpret and promote the demonstration projects and sample projects in the field of "the belt and road initiative" cultural communication and economic development, and explore the new mode of "the belt and road initiative" cultural exchange.China Cultural Exchange Network has held the "Light of Civilization, Person of the Year in China Cultural Exchange" for five consecutive years, focusing on individuals and organizations that have made outstanding contributions to the promotion of "the belt and road initiative" cultural communication and economic development, and the mutual learning of Chinese culture and Chinese and foreign civilizations, and encouraging all sectors of society to participate in cultural exchanges between China and foreign countries.

　　CHINA Cultural Exchange Network participated in the co-sponsored "CHINA in My Eyes" city brand publicity project, covering the "China in My Eyes" photo essay contest and many sub-activities such as China Shaanxi, Xinjiang, Gansu, Qinghai, Guiyang, Dali, Quanzhou, Dalian, Zhengzhou, Beijing, Shanghai, Guangzhou, Shenzhen and Hong Kong. The theme of "CHINA in My Eyes" is "Tell the story of China well and spread the voice of China well". Through images and words, it truly records and reflects the new normal in China’s cultural, economic and social fields, promotes people-to-people exchanges and shows the achievements and great progress of urban development. After several years of operation, it has become a large-scale publicity project to display the image of China and shape the city brand, and has made positive contributions to enhancing the country’s cultural soft power.

Cultural return： the deep logic of the butterfly change and leap of traditional cultural programs

Author: Li Zhi

In recent years, a number of traditional cultural programs have been popular on the screen, which has aroused enthusiastic response from the audience, media and society, and has become a highly regarded cultural trend phenomenon. From Chinese Character Dictation Conference, Chinese Poetry Conference and Reader, to National Treasures, Classical Poems, China in Stories, China in Classics and China Festival Series, it can be said that traditional cultural programs mark the development trend of industry culture turn for us, and they are "speaking well" in the new era.

Henan Satellite TV’s "Wonderful Tour of Tanabata in 2023" dreams of returning to the Red Chamber, showing romance.

The scene telling the story of Sanxingdui in the third season of National Treasure.

New national style: a distinctive feature as a trend phenomenon

Despite the different themes and forms, the new national style is the most distinctive style label of these excellent traditional cultural programs. The new national style, that is, the emerging China style, is manifested in the popular fashion that generally uses traditional cultural elements in popular culture. On the basis of spreading Chinese excellent traditional culture, traditional cultural programs explore the greatest common denominator with youth culture, network culture and other cultures of the times, and become a popular program type with the new national characteristics of integrating the old and the new and aesthetic mutual learning.

In fact, looking back at the development history of TV programs in China, as early as the 1960s, Beijing TV Station had launched cultural programs such as Cultural Life and Life Knowledge. In the 1980s and 1990s, traditional cultural programs with distinctive features emerged, such as "Bookstore Painting Garden" and "Kyushu Theater". However, although traditional cultural programs have always been an important part of the TV program sequence in China, they have long been caught in an embarrassing situation of applauding and not being a hit. Especially in the wave of TV industrialization, faced with the arduous journey of viewing, traditional cultural programs have always been difficult to become realistic choices and symbolic programs that TV stations are keen on.

Fortunately, in the past ten years, traditional cultural programs have gradually explored a new national style innovation road of "entertaining" and become popular in the whole network with a gesture of "cultural return".

Looking at the present through the long lens of history, the valuable question is how traditional cultural programs change and jump. What is more worth asking is, why is it that traditional cultural programs continue to "break the circle" to form a trend phenomenon of the times?

The method of "double creation": the leap of butterfly as an artistic creation

Since the policy of "promoting the creative transformation and innovative development of Chinese excellent traditional culture" was put forward, the artistic creation of traditional cultural programs has a fundamental methodology, that is, adhering to the integration orientation of "thought+art+technology", refining Chinese excellent traditional culture in a flexible and diverse way, and achieving a deep image description of "cultural China".

5,000 years of Chinese traditional culture is extensive and profound. Traditional cultural programs regard it as a treasure house of creative inspiration, and select representative cultural symbols to describe it. This kind of "metonymy" strategy can be seen only from the program name: China in Classics, which tells the story of selecting classics, Chinese Poetry Conference, which relives the beauty of Chinese poetry, and China, which shows the extraordinary skills of intangible heritage. With the continuous excavation of Chinese excellent traditional culture, the theme of this kind of programs has been subdivided from the popularization of general knowledge such as poetry quiz, idiom quiz and Chinese character contest to the interpretation of professional contents such as cultural relics and archaeology, intangible techniques, piano, chess, calligraphy and painting, which highlights the vertical thinking of program creation.

With the help of this kind of program, the audience stepped into the historical Milky Way, which is separated but in the same strain, and picked up brilliant cultural treasures. Traditional cultural programs deeply rooted in different fields appeared one after another, and a polyphonic "cultural suite" was compiled.

When the Internet platform becomes the infrastructure of the digital age, "brush" has become a common way of life, and attention has become the object of competition for programs. Based on the audio-visual communication ecology with diverse supply channels and overloaded information content, traditional cultural programs do not stick to the existing model, but follow the platform thinking and innovate the program model with light program duration, modular program units and strong narrative program content. Take a series of out-of-the-circle parties of Henan Satellite TV as an example: "Wonderful Tour of the Dragon Boat Festival" takes the astrological meaning of "Long Xing Zhongzheng" in the Dragon Boat Festival as the theme, and invites the "Mahua FunAge" team to join in the dragon boat race, and the dramatic chapter story of fighting for tokens is connected in series with modules such as Feng Wang Caige, Flying Dragons in the Sky and wormwood Qingqing, so as to show the traditional customs of the Dragon Boat Festival, and the duration is controlled within one hour. The relatively independent and distinctive special programs are very suitable for the communication logic of the Internet platform. The classic is The Banquet at the Tang Palace, which can trigger a hot discussion on the whole network. It is precisely because of its short, pithy and eye-catching features that it grabs the audience’s attention with colorful clips on the Internet platform, and then it plays a role of diverting from short to long, improving the popularity of the whole series of programs.

In addition, the new model increasingly pursues that a single work can produce the climax effect of visual wonders and soul shock, and puts forward higher requirements for the quality of the program. Based on digital technology, traditional cultural programs form an ultra-real virtual-real space and construct a dynamic perception field of "audience-work-artistic conception", which not only makes traditional cultural elements come to the fore, but also moistens the Chinese aesthetic spirit. For example, "Poetry and Painting China" refines the scenery into a single element and draws it in layers in the presentation of "Journey to the West Mountain", and strives to retain the natural Chinese painting texture in the special effect reorganization of later modeling. During the lens push and pull, the mountains with high peaks and steep peaks echo each other with the waterfalls flowing with silver lines, outlining the magnificent mountains and rivers with long mountains and thousands of images, so that viewers can truly feel the character of the ancients "the mountains stand on their backs and the scenery stops" Another example is the interpretation of "Imitating Yang Dazhang’s Painting of Jinling in Song Courtyard", in which the program gives the picture a 3D animation effect of ink and wash. In the painting, when people wander from the countryside to the city, the audience seems to have crossed back to the prosperous Jinling, where "the king is full of gold and beautiful", and feel the beautiful painting meaning of "people are happy in the rich years, and they walk on the streets in Gansu".

The visual presentation from the real to the virtual makes poetry and painting break through the limitations of physical laws and live in the way of reappearance of image wonders. The surreal artistic spirit not only extends the imagination boundary of the audience through the visual impact, but also brings the immersive experience by capturing the details that must be present, thus realizing the virtual reality of traditional classical aesthetics in the audience’s psychological level in the spiritual immersion that is also true and illusory.

Subjectivity and Identity: Deep Logic as Cultural Practice

An era has an era of literature and art. The reason why traditional cultural programs can stand out from numerous literary and artistic creations and form a phenomenon of "cultural program fever" that lasts for several years is not only because of the renewal of creative ideas and the improvement of production ability within such programs, but also because program production is a typical cultural practice with reflective experience that germinates in social culture and will respond to it interactively.

In other words, artistic production is deeply connected and mapped with the collective mentality and common emotion of the times, and the common emotion of each era will also give birth to the cultural trend belonging to that era.

Then, in order to further clarify the deep logic of the popularity of traditional cultural programs, it is necessary to base on the vivid experience of the times and explore the active and tense potential text structure of programs that are outside the text structure and coupled with the current collective emotional psychology.

Facing the globalization context of comparison and communication between Chinese and Western civilizations, the great rejuvenation of the Chinese nation cannot be separated from the realization of Chinese modernization. However, in the world discourse system about modernization, "western modernity" once monopolized the definition of modernization, and western modernization was even directly equated with the only model. Therefore, only by reflecting on the western paradigm, establishing China’s legal expression and establishing his subjective position in the global pattern can we endow "China modernity" with Chinese modernization and realize the reinterpretation and rewriting of the discourse system of "modernity". In this process, both the country and the people are experiencing the thinking of "what is China", and the questioning of "who am I" reflects the collective mentality and common emotional demands of contemporary China society eager to consolidate cultural subjectivity and condense identity. Excellent traditional culture is the "root" and "soul" of the Chinese nation, and it is an important way to distinguish "the other" from "self" and gain subjectivity and identity.

Indeed, the top-down policies at the national level, such as "inheriting and carrying forward the Chinese aesthetic spirit" and "telling the story of China well", and the bottom-up cultural consumption at the public level, such as the craze for Chinese studies and Hanfu, all indicate the effectiveness of answering "China" with Chinese excellent traditional culture.

Returning to traditional cultural programs, whether the theme is to pay attention to festival culture, to focus on the art of poetry and painting, or to focus on historical archaeology, is a useful exploration of the policy of "double innovation", and the underlying logic it follows cannot be separated from "two combinations". The media performance of "Cultural China" gives the audience great imagination. In the auspicious film feather with traces of civilization, the cultural relics restorer makes the old things new and shows the distant and gorgeous history to future generations. In the endless stretch of Tang poetry and Song poetry, countless stars shine in it, writing the most vivid footnote for "Why China"; In the intangible skills that bear the context of a thousand years, the inheritors have persisted for decades to realize the identity of the nation as a nation … On the one hand, these traditional cultural programs have stirred up the national cultural genes in the same strain by excavating and presenting the cultural memories behind cultural symbols, greatly satisfying the imagination needs of the audience to gain a sense of historical relevance from the long-standing Chinese civilization, and effectively enhancing the national self-esteem and cultural self-confidence of the audience. On the other hand, following the principle of "keeping the right and not being old-fashioned, respecting the past and not restoring the past", we should reconstruct Chinese excellent traditional culture in the times, and integrate the spiritual concepts attached to traditional excellent culture, such as the unity of family and country, the common good of the world and the coexistence of all things, with the core values of contemporary socialism, so as to consolidate the cultural subjectivity in the deep echo of China in the past, China in the present and China in the future.

It is true that traditional cultural programs are highly in line with the common feelings of the times, and with the unparalleled communication power of audio-visual media, they produce and spread the cultural power that condenses collective sensibility, which is the deep motivation to harvest the emotional resonance of the audience and generate a huge emotional community. However, it still needs to be emphasized that the audience’s aesthetic needs and appreciation ability continue to grow and improve. In specific creation, traditional cultural programs still need to stimulate imagination and creativity, be innovative in content, form and other aspects, and fully demonstrate the essence and charm of Chinese excellent traditional culture to meet the audience’s aesthetic expectations, so as to avoid homogenization and stand on the forefront of the highly competitive mass cultural products track.

(The author is a doctoral student at Shanghai Film Academy of Shanghai University)

Source: Wen Wei Po

Peninsula Sports Ligue 1： Manchester City is the best team in the world, and we don’t need to spend a wonderful season with him.

Even if Argentine World Cup champion Alexis Mike alister arrives from Brighton, Liverpool should still sign another midfielder. As a breakthrough prospect of La Liga season, Veiga has extraordinary physical and technical attributes, as well as versatility and industrialization. He also has an advantage on the offensive end, and his willingness to move into the restricted area is excellent-as shown by his < > goals in 32 La Liga games.

Although Vega’s influence may have diminished in recent weeks (not uncommon for a 20-year-old debut season), it is reported that he has a release clause of 400,000 euros, which will make him a real deal.

Tuesday’s transfer gossip: Ronaldo, Badiashile, Nunes, Bellingham, Felix, Mudryk

Cristiano Ronaldo has a clause in his Al Nassr contract allowing the Portugal forward, 37, to join Newcastle United on loan if they qualify for the Champions League this season. (Marca)

France centre-back Benoit Badiashile, 21, is in London to undergo a medical after Chelsea agreed a deal worth 38m euros (£33.6m) with Monaco. (Football London)

Liverpool are exploring a deal to buy Portugal midfielder Matheus Nunes, 24, from Wolves in the summer. (Telegraph)

England midfielder Jude Bellingham, 19, is set to meet with Borussia Dortmund officials before 6 January, when he will inform them of his desire to leave this summer. The German club will seek 100m euros (£88.5m), plus add-ons that could take his total fee to about 140m euros (£124m). (AS)

Arsenal, Manchester United and Chelsea have been approached about signing Portugal forward Joao Felix, 23, on loan but Atletico Madrid are seeking a 15m euro loan fee (£13.3m), plus 6m euros (£5.3m) to cover his wages. (Athletic – subscription required)

Chelsea, meanwhile, are in negotiations over the structure of a club record deal to sign 21-year-old Argentina midfielder Enzo Fernandez from Benfica. (Evening Standard)

Arsenal have submitted a second offer for Ukraine winger Mykhailo Mudryk, thought to be significantly below Shakhtar Donetsk’s asking price of 100m euros (£88.5m). (ESPN)

Manchester United and Bayern Munich are interested in Randal Kolo Muani but Eintracht Frankfurt want 60-70m euros (£53-62m) for the France forward, 24. (Nicolo Schira)