分类： hanzhen

What is the best way to "go to class"? Some people say "to travel", others say "to enjoy the world". To stay the same is to go to a place where you feel beautiful and feel the local life and different scenery. The trip to class in early winter, Kashgar, is really suitable!

Kashgar in early winter has neither the heat of midsummer nor the bleak of late autumn, just like a colorful picture scroll, which slowly unfolds in this season. At this time, the sunshine in Kashgar is soft, which is an excellent opportunity to travel.

Seek freedom.

Kashi ancient city

The body trapped in the cubicle has not been stretched for a long time, so let’s have a hearty walk in the ancient city! The passionate dance and melodious music at the opening ceremony of the East Gate of the ancient city of Kashgar made people dance with the rhythm. The streets and alleys of the ancient city are like a maze, full of mysterious colors. Every building carries historical memories. There are too many casual beauties here, such as flowerpot Bazaar, flower hat Bazaar, oil painting street, Taha Lane Youpai Street and Rainbow Lane … Just follow your feelings, and no one knows whether the scenery around the corner can knock on your heart.

Opening ceremony of east gate of Kashi ancient city

Huapenbazha

Huamaobazha

Tutaobazha

Tieye commune

Bainianlao tea house

Bageqi lane minsu steet

Youhua steet

Taha Lane Youpai Street

Caihong lane

Budai lane

hanging garden

Have fun

Xiangfeiyuan

Xiangfei Garden is rich in historical culture and folk customs, and the story of Xiangfei adds mystery to it. Xiangfei’s welcoming ceremony, folk wedding, love tree, Xiangfei embossed wall, Xiangfei gallery, Tik Tok Meipai base, etc. You can not only enjoy wonderful song and dance performances, appreciate the unique architectural beauty, but also deeply understand the cultural heritage of Kashgar, which is an excellent choice for your early winter tourism.

Seek peace

Panmiancheng Ruins Park

Panbi City, also known as Banchao City, witnessed the brilliant historical achievements of Hou Banchao in Dingyuan. With his extraordinary wisdom, courage and outstanding leadership skills, he left a rich and colorful stroke here. Stepping into the ruins park of Pancha City seems to have traveled through time and space, returning to the era of Jin Ge Tiema. The ancient city wall has survived many years, but it still stands, silently telling the story of the past.

The main entrance of Panmiancheng Ruins Park.

Statue of Ban Chao and his warriors.

Ruins of ancient city walls.

An-che model in han dynasty.

West market workshop.

Kilns are set with the palace.

Looking for fireworks

Cattle and sheep Dabazha

To feel the strongest life in Kashgar, the cattle and sheep bazaar in wasteland township is the best choice, which is the largest livestock trading market in Kashgar. People of all kinds, every Saturday and Sunday, when the first ray of sunshine shines on the roof of the Grand Bazaar, the cattle and sheep Grand Bazaar begins to be lively, and people put out their own goods one after another, dazzling.

Wandering in Kashgar

Today’s list of steps in the circle of friends

You should win the first prize.

over here

Find freedom, fun, peace, fireworks.

My heart is also full of the beauty of the encounter.

Kashi Rong communication center

Editor: Yuan Wei

Original title: "Come to Kashgar for a day in early winter and go to the" class "flavor ~"

1905 movie network news It has been successfully screened in Paris and Cannes, and it was launched on the Internet in a high-profile way last week. Recently, a series of big-action "Nothing to Ask about the West and East" was launched, with Taiwan Province as the last stop in May, offering a feast for the audience across the Taiwan Strait. As the opening film of the 10th Cross-Strait Film Exhibition, four actors, Huang Xiaoming, Wang Leehom, Han Tongsheng and Zheng Zheng, took the lead in making their debut on May 30th. Tickets before the screening were spiked and praised as "poetic beauty", and "No Questions, West and East" vividly explained the cultural continuity between the two sides of the strait and helped cross-strait films to communicate in depth.

"Don’t Ask West East" seamlessly fits the tastes of audiences on both sides of the strait, and "captures" the Taiwan Province media.

Knowing that "No Questions, West and East" will be unveiled at the 10th Cross-Strait Film Exhibition at the end of this month, local Taipei residents planned their ticket grabbing strategies early, and the film sold out as soon as it was invoiced, which shows the influence of this annual masterpiece directed by Li Fangfang in the Chinese film industry. On the day of the screening, the Huashan Film Museum in Taipei was packed, and a 138-minute reminiscence journey led the audience back to the young man’s lofty years of sharing weal and woe. At the end of the movie, local media praised the film "with retro feelings in one go, and" Nothing to Ask West and East "gave people hope." Jamie Chang, a reporter who has studied mainland films for many years, expressed his feelings: "With the introduction of cross-strait film festivals, I finally saw this film that has been rumored for six years. The conclusion is that I like it very much. I can see many angles that I prefer. "

After the screening, the famous local media released a film feature to pay tribute, saying that director Li Fangfang "buckled the proposition of Tsinghua’s centenary celebration, followed these Tsinghua figures, and presented several fragments of China’s centenary history. More deeply, it told you what it meant to be’ without asking about the West’." This paper introduces in more detail how to make careful textual research in the film preparation stage, as well as the film’s exploration of human nature and the question of "the values that you and I may face in the past and future"

Similar reputations can still be found in social accounts of many comment media, and they affirmed the outstanding features of "Nothing to Ask about the West" in terms of conception, pattern and performance. Zhang Zheming, a local reporter, said: "There is no question about the West and East, and both of them have retro feelings in one go. But the difference is that "Fanghua" finally ends with a tragic cross-examination; "Don’t Ask West East" gives hope. This is a wonderful film with overall performance, and it is a sincere work with good intentions and poetic beauty. "

Huang Xiaoming’s Wang Leehom exhibition tells the truth, and cross-strait film exchanges have gained a lot.

The Zhuo Yuequn drama presented in "Don’t Ask about the West" won the audience’s praise again and again, which also made the film starring Huang Xiaoming, Wang Leehom, Han Tongsheng and Zheng Zheng gain applause. When asked by the audience what is true, Huang Xiaoming said with emotion: "The reason why President Mei in the play pays attention to Wu Linglan is to see that he doesn’t choose science with his true mind. Now, at the age of 40, I also hope to make a film and television work that is sentimental, meaningful and rewarding for everyone. That’s why I chose to rest and face my true self. " Wang Leehom said: "All the thoughts of Shen Guangyao’s role are consistent with the cells. I think it is true when a person is confident and goes all out towards the goal of life."

In addition, Wang Leehom also revealed that after reading the script for the first time, her mother suggested that she take the film herself, and called on the media to exert their strength on the spot to let "Nothing Ask West East" meet more Taiwan Province audiences as soon as possible. For the understanding of "truth", Zheng Zheng interprets it from the standpoint of Shu Fen in the film: "I think it is to follow my heart and keep my promise. When Liu Shufen married her husband, she kept her marriage agreement. When this agreement was broken, her despair made her fight to the death and step into the well. I think this is the truth of Liu Shufen. " Han Tongsheng, who plays Robert in the film, shared humorously: "In modern society, there are always people like Robert who disregard the interests of others for their own sake. I hate such people and hope that everyone will not become like this. "

Ten cross-strait film exhibitions have been held so far, aiming at expanding the influence of cross-strait films through film screening and cross-strait film scholars’ forum exchanges, and at the same time providing audiences with opportunities to learn more about cross-strait films and cultures. The film "Nothing to Ask about the West" expresses the national spirit, gently praises the scholar’s spirit, and enthusiastically praises the self-seeking, so that the vicissitudes of a hundred years come into view like a fleeting glimpse, which is the affectionate sustenance of the next generation of intellectuals for their home country and national backbone. With the screening of "Nothing to Ask about the West" in Taiwan Province, filmmakers on both sides of the Taiwan Strait can have a wider discussion and mutual assistance on China films, thus enhancing the understanding of people on both sides of the Taiwan Strait in the cultural field.

Since the old BMW i3 and BMW i8 stopped production, BMW has started a round of rebuilding the lineup of new energy vehicles, and as iNEXT entered the mass production stage, a new lineup gradually emerged. After the brand-new BMW i3 based on BMW 3xi has been listed in China, the second pure electric car with I nameplate also appeared at the beginning of the year, which is the BMW i5 belonging to BMW 5 Series.

Compared with the fuel car and pure electric car that we saw in Audi and Mercedes-Benz, the reason why we say that BMW i5 and BMW 5 Series are subordinate is because the car is almost shared with the fuel car in design, and it has not overturned the rebuilt family grille, and there is no independently developed appearance kit. Even the exhaust pipe and corresponding decorative design that no longer exists have appeared in the rear bumper of BMW 5 Series. In other words, if it weren’t for the existence of the charging socket and the vehicle tail, we could hardly tell the same decorative version of BMW i5 and BMW 5 Series.

Of course, even if it is a shared design, BMW i5 still has many key elements in the new energy market to emphasize its more avant-garde and scientific side. For example, the active closed air intake grille can still achieve the closure of the front of the car through the completely closed air intake and exhaust control to obtain lower wind resistance; At the same time, although the vehicle does not completely hide the door handle, this semi-hidden structure can also bring low wind resistance effect, and it is more outstanding in the visual fullness of the body structure.

In terms of size, the length, width and height of BMW i5 have reached 5175/1900/1520mm, which makes the vehicle close to the road at all times during dynamic driving. At the same time, after the domestic extension, the wheelbase of the vehicle has reached 3105mm, which will narrow the space gap between it and Mercedes-Benz EQE and ensure the ride comfort of the rear passengers. However, it should be mentioned that the rear row of BMW i5 does not support flexible reclining adjustment, but emphasizes static riding comfort through thicker backrest and cushion.

Speaking of this cockpit, let’s look at the cockpit center console first. BMW i5 also laid out the family design of BMW’s generation. The 12.3-inch digital instrument panel will be integrated with the 14.9-inch touch screen, which will produce a deflection of the center of gravity towards the main driving side in layout and a certain curved surface in hardware to optimize reading and control. In addition, we have seen a large number of numerical control designs in the cabin, including air conditioning touch strips, multimedia car touch panels, and even door touch locks above the armrest box, which will continuously improve the scientific and technological content of the cockpit.

At the same time, there are some fine designs in the cockpit. In addition to the double-spoke special-shaped steering wheel, the vehicle also replaces the "chicken leg" shape gear handle that BMW has used for a long time with an electronic shift paddle with crystal texture. At the same time, the intelligent interactive atmosphere lamp is embedded in the glass decorative belt of the central control and door panel, which will undertake the control tasks of atmosphere lighting, air volume control, seat position memory and so on.

In terms of car, BMW i5 will be equipped with iDrive 8.5, which has completed the adaptation for many local applications, including head applications such as iQiyi and WeChat, which can be used in car. At the same time, this intelligent entertainment interactive function will also be extended to the back seat, where it is no longer to provide small-size multimedia control or entertainment screen, but to bring the same 31-inch ceiling-mounted LCD screen as BMW 7 Series. Although it is an optional configuration with a resolution of 8K and can be matched with Baohua Weijian surround sound system, it can still bring audio-visual enjoyment and intelligent interconnection experience comparable to the new domestic car-making forces. Of course, in the absence of optional ceiling screen, the Type-C socket and Pad interface behind the front seat backrest can meet the needs of entertainment equipment expansion.

With regard to driving, as one of the first manufacturers to obtain L3-level automatic driving test license, BMW i5 has completed the layout of high-level intelligent driving. However, L2+-level assisted driving is the first thing we will see in China, but in addition to the functions of lane centering, lane merging assistance and tracking and reversing, it has now added advanced assisted driving functions such as automatic parking, remote parking and automatic lane change assistance, which will enable vehicles to approach new forces again in intelligent driving. However, automatic lane change assistance is included in the option, and users need to pay extra for it.

In terms of power, BMW i5 has only provided the eDrive 35L nameplate in the domestic version, which corresponds to a 210kW and 410N·m excitation synchronous motor. Although there is only a single motor option, the vehicle has been able to break through 100 in 6.7 seconds, and the CLTC pure battery life of 536km or 567km is obtained through the battery pack provided by Contemporary Amperex Technology Co., Limited. More importantly, the vehicle supports 10-80% fast charging with a maximum charging power of 200kW, which can be fully recharged in 0.53 hours, making it more convenient for large-scale and long-distance travel.

In the chassis, BMW i5 still adopts the combination of front double wishbone and rear multi-link independent suspension, but after the rear motor layout is realized, the overall center of gravity of the vehicle will be more backward, which will help to enhance the balance in dynamic driving and further highlight the handling advantages of BMW i5.

Write it at the end

The appearance of BMW i5 will open a new stage of competition in the new energy vehicle market. Under the situation that different grades of products such as Weilai ET7, Tucki P7 and Krypton 001 dominate the high-end new energy C-class vehicle market, BMW i5, which is positioned in the 440,000-460,000 class, has not yet achieved high performance and high-order intelligent driving, but its long-established luxury and handling advantages in the C-class vehicle market will make the vehicle a special luxury bestseller.

　　On the eve of the 120th anniversary of Beijing Normal University, China Central Radio and Television General Station and Beijing Normal University signed a comprehensive strategic partnership framework agreement on April 15th. Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of CCTV, Shen Haixiong, and Party Secretary of Beijing Normal University, Cheng Jianping, attended the signing ceremony and jointly unveiled the CCTV-Beijing Normal University Media Communication System Engineering Research Institute. Xue Jijun, member of the editorial board of the Central Radio and Television General Station, and Zhou Zuoyu, member of the Standing Committee of the Party Committee of Beijing Normal University, signed the contract on behalf of both parties.

　　Jiang Wenbo, a member of the editorial board of the General Station, pointed out in his speech that the Central Radio and Television General Station is guided by the spirit of a series of important instructions given by the Supreme Leader General Secretary to the General Station, continuously promoting the deep integration of media, vigorously implementing the all-media communication project, and constantly strengthening the world-class new mainstream media. Beijing Normal University, with a history of over a hundred years and a large number of masters, has delivered a large number of outstanding talents to the reception desk for many years. The establishment of a comprehensive strategic partnership between the Headquarters and Beijing Normal University to jointly carry out the research and practice of media communication system engineering is a concrete practice to implement the important instructions of the General Secretary on "accelerating the construction of an important talent center and an innovative highland in the world". Jiang Wenbo said that using the theory of system science to study the law of media communication and guide the all-media construction of the main station is also an important research content of the State Key Laboratory of Ultra-high-definition video and audio production and broadcasting of the main station. It is believed that the cooperation between the two sides will surely achieve fruitful results in promoting the development of media integration, exploring the combination of higher education and Industry-University-Research, and carrying out systematic and innovative application research of all media.

　　△ Speech by Jiang Wenbo, member of the editorial meeting of the Central Radio and Television General Station

　　Zhou Zuoyu said in his speech that the signing of a comprehensive strategic partnership framework agreement between China Central Radio and Television General Station and Beijing Normal University is a great event for both sides, as well as for the national media industry and higher education. Technological revolution, cultural competition, media communication and public opinion have become the core areas of concern in the strategy of strengthening the country. Media communication has become a comprehensive, interdisciplinary and multi-disciplinary complex system engineering with social and political attributes. It is timely to jointly build a media communication system engineering research institute and other cooperation. We will jointly promote collaborative innovation, help the high-quality development of the Central Radio and Television General Station and the "double-class" construction of Beijing Normal University, and greet the party’s 20 th victory with practical actions.

　　△ Speech by Zhou Zuoyu, member of the Standing Committee of Party Committee and Vice President of Beijing Normal University

　　According to the agreement, the two sides will give full play to their respective platform advantages, talent advantages, discipline advantages and professional advantages, jointly build a scientific research platform, jointly train talents, and jointly develop quality media products. Through continuous and in-depth cooperation, they will contribute to the prosperity and development of cultural undertakings and cultural industries and the promotion of national soft power.

　　Responsible persons of relevant departments of Central Radio and Television General Station, responsible persons of relevant departments of Beijing Normal University and special guests attended the signing activities.

　　(Photo: Zhu Yan Fu Bo)

　　China Overseas Chinese Network, Moscow, April 28th To commemorate the 79th anniversary of the victory of the World Anti-Fascist War, a networking event called "Inheriting the Victory Tradition and Cherishing World Peace" was held at the Wangji Hotel in Moscow on the 27th local time. The event was co-sponsored by the Moscow Overseas Chinese Federation, the Moscow Huaxing Art Troupe and the International Union of Russian Successors, and attended by representatives of relevant Chinese and Russian institutions, societies and veterans.

　　Liu Wei, Minister Counselor of the Consular Section of the Chinese Embassy in Russia, extended holiday congratulations and best wishes to the representatives of the veterans attending the meeting on behalf of the Embassy, and expressed sincere respect to friends who care about and support the development of Sino-Russian relations. She said that China and Russia, as the main battlefields in Europe and Asia respectively, have suffered huge national sacrifices for the victory of the world anti-fascist war and made indelible historical contributions. China and Russia are important forces for maintaining world peace and stability. In recent years, under the strategic guidance of the two heads of state, China-Russia comprehensive strategic partnership of cooperation in the new era has maintained a healthy, stable and in-depth development and has continuously advanced to a higher level. Maintaining and developing Sino-Russian relations is a strategic choice made by both sides based on the fundamental interests of the two peoples, and it is also an inevitable requirement to conform to the general trend of world development. This year marks the 75th anniversary of the establishment of diplomatic relations between China and Russia, and it is also the year of Sino-Russian culture. The relations between the two countries are facing new opportunities for development. We will work together to fully implement the important consensus reached by the two heads of state and make our own contribution to China-Russia permanent good-neighborly friendship, comprehensive strategic cooperation, and mutually beneficial cooperation and win-win results.

　　Kalyadin, President of the International League of Russian Victory Heirs, expressed sincere greetings to the veterans and representatives of veteran associations who participated in this event, and expressed sincere gratitude to the Moscow Overseas Chinese Federation for its contribution to the smooth holding of this event. He said that overseas Chinese in Russia actively integrate into Russian society and maintain and carry forward the tradition of caring for veterans, which is the embodiment of the friendship between the two peoples, and Russian veterans and the Russian people will never forget this.

　　Wang Chuanbao, president of the Overseas Chinese Federation in Moscow, said that in the world anti-fascist war, China and Russia (the Soviet Union) joined hands and supported each other, forming a profound fighting friendship. Overseas Chinese in Russia will pass on this blood-condensed friendship and jointly write a new chapter in friendship.

　　General Azarov, Chairman of the Russian Veterans’ Union, and Medvedev, Chairman of the Moscow branch of the Russian Peace Foundation, also delivered warm speeches respectively.

　　During the event, Chinese and Russian artists jointly performed wonderful cultural programs.

　　The Federation of Overseas Chinese in Moscow and the International Union of Successors of Victory in Russia have jointly held this activity for the sixth time. The purpose of the activity is to let more people know about the great sacrifices and contributions made by China and Russia during the world anti-fascist war, to show the admiration and care of overseas Chinese living in Russia for the veterans, to teach the younger generation of overseas Chinese living in Russia to remember history by example, to cherish the hard-won peace, and to contribute to the friendship between China and Russia for generations. (End)

The most popular film and television work in Jordan chan at present is not the online drama "Anti-Black", but a variety show that takes children to the countryside. For most people, the favorite scene at present is to watch Brother Pheasant play the role of Big Wolf.

"Pheasant Brother" is a classic character created by Jordan chan in Hong Kong’s "Young and Dangerous" series films in the late 1990s. Times have changed, and the theme and style of the once-popular gang film and television works are also different.

Conventional changeable stories usually choose to write low and go high, greet the ending after the climax, gradually escalate the difficulties, gradually increase the task coefficient, defeat the biggest behind-the-scenes hand, open a dark page, the hero gets the laurel, may be sacrificed, or may be reunited after twists and turns. However, Anti-Black tells the story in a romantic style.

The opening is the big scene of the gang electing a new speaker. After only one episode, all the bosses of the gang "Hexingsheng", which has a century-old foundation in Hong Kong, have a turning point in their careers because of the existence of police undercover Phoenix Brother (Jordan chan). The pyramid-shaped organization structure of Xinghesheng was pinched off by the police, and it was leaderless, so it became fragmented.

Brother Phoenix, with red hair, dyed his hair back to black, changed his real name to "Chen Fengxiang" and returned to the police force. From 1986, he completed the big business of one pot to 1994, he was transferred to the anti-gang unit by his boss and worked as a civilian for eight years. These eight years, just like the eight years of being a Phoenix elder brother and thriving undercover, were suppressed by Anti-Black. Both the climax and the trough can’t be pressed, and the waves in calm have become the main theme of Anti-Black.

Jordan chan plays Chen Fengxiang.

After the general election of gangs in the summer of 1986, the prosperous territory of the older generation was eroded by other underground forces. On the eve of Hong Kong’s reunification, foreign forces, represented by "George", infiltrated into gang organizations and secretly manipulated various forces, becoming the biggest beneficiaries behind the scenes.

George’s first puppet was Zhang Zhiqiang (Zhang Jiansheng), nicknamed "Arrogant". This younger brother, who was trained by Phoenix in undercover period, was suspected to be an "inside ghost" of the police sneaking into the gang organization during the general election. After Phoenix revealed his true identity, he suffered a double blow mentally, his faith collapsed, his temperament changed greatly, and he became a new generation of gang leaders who were brave and ruthless and regarded Jianghu rules as nothing.

Zhang Jiansheng plays the role of arrogance.

The role of arrogance is arrogant and arrogant, and its modeling and performance are full of evil spirits. It seems to be a typical villain in old Hong Kong films. I thought that he could be arrogant for a long time, practice the declaration of "putting dragons and phoenixes" in his lines, and create a lively and dramatic scene of the opera team. However, it is not in Anti-Black.

Shortly after the opening of Jing Wong’s film Chasing Dragons, there appeared a "dragon and phoenix" in which the police intervened in the gang’s conflagration, while the "dragon and phoenix" in Anti-Gang was the first to see the dragon, and several candidates who appeared after "arrogance" also declared that they wanted to "put on a dragon and phoenix", but the dragon and phoenix were either reduced to a small size or killed in the bud by police officer Chen, who was wise, alert and well versed in the rules of underground forces.

Chen Fengxiang, who represents the forces of justice, has been dancing for nine days, and enter the dragon in the Jianghu is just a twisted local strongman in front of the sword of justice. Arrogance was quickly settled by Chen Fengxiang’s wisdom. Five Hong Kong policemen took 30 bullets and solved a potential bloody conflict without firing a shot. Social peace and order were maintained, and evil fled hastily under the dazzling light of justice.

In the follow-up story, "Anti-Black" allocates more and more scenes to private space, and Chen Fengxiang’s personal life is equally divided with the road of continuing to find people with prosperity. The plot is relatively dull, and Andy Lau’s songs are interspersed with more and more times. Anti-Gangster returns from Hong Kong gangster narrative to Hong Kong drama narrative.

Wu Zhixiong plays brother B.

Most of the actors in Anti-Gangster are familiar faces in Hong Kong films with gangster themes of one era, and some of them were once all-powerful figures in the gang. For example, in the play, Wu Zhixiong, one of the prosperous second-generation leaders, is played by Wu Zhixiong himself. His character experiences are similar, and his nicknames are all Wu Zhixiong’s nickname "Big Brother B" in the Jianghu.

Wu Zhixiong also played a character who used this nickname in the series of Young and Dangerous Men. Unlike the image in the series of Young and Dangerous Men, "Big Brother B" in "Anti-Gangster" looks more like a kind citizen in action, and even uses the same background of the official propaganda film to tell the audience to read more and choose friends carefully. The setting of this role is so similar to the actor himself that it is difficult for the audience to tell whether what they see on the monitor is a character who speaks lines or an old and dangerous man who has retired from the Jianghu for many years.

Li Canchen plays Huang Zhian.

Anti-Gangster has collected four actors in the gangster series. Boon Chung Sung, the director of this drama (and the actor of the character "Prince Chicken"), and Jordan chan of first hero once played the young pheasant and the adult pheasant in the gangster in the Jianghu, and Li Canchen, who plays the male No.3 Huang Zhian, once played the role in atrix, a teenager of gangster. Four pheasants arrived in Anti-Black, some became Phoenix, some became sir, some continued to wander in the rivers and lakes, and some were swallowed by more vicious forces. The rivers and lakes may still be the same rivers and lakes, but Brother Pheasant is no longer a pheasant in the 1990s.

Ng Man Tat plays Uncle Lard.

If we really practice the shooting mode of Hong Kong dramas in the 1990s, Anti-Gangster may not choose the current narrative mode. It’s not that Hong Kong dramas don’t show dying heroes, but the usual focus is on reloading after being lonely.

In order to cater to the choice of time nodes, Anti-Mafia sacrifices the prime time of characterization. Chen Fengxiang’s undercover and prosperous mental journey is the favorite part of the drama law and the part of heroic achievement. Besides being an act, there is also a mental journey covered with thorns. However, after returning to the police force, he was integrated into the collective, and his opponents no longer had the ability to make waves. With the change of social environment, the mastermind of the plot no longer needed small people to complete the impossible task: the opponent of the protagonist became weaker and weaker, and the older generation who used to make waves became older and older. In more and more life plots, "Anti-Mafia" quietly completed the variation of the theme, from the theme involving black.

Although the stories of gang members account for a large proportion in the whole play, their stories often provide all kinds of tragic lessons. People who join gangs for various reasons, especially those young people who are not hopeless, eventually do not become "big brothers" like the young people in the movies of "Young and Dangerous", but blood splashes on the streets, losing everything and losing the direction when they set off. These educational plots, together with the subtle theme of the whole drama, constitute the central narrative of Anti-Gangster-absolute support and absolute trust in the organization.

"Anti-triad" is still one of the most important tasks of the police force in Hong Kong, which involves not only cracking down on underworld gangs, but also dealing with drugs, guns and other criminal activities that infringe on personal rights and property rights. In recent years, many Hong Kong dramas have chosen this police force as the main body of performance. In addition to continuing to pay attention to organizational activities, Anti-Gangster is more about calling back a soul through the re-enactment of the expression techniques of the old Hong Kong drama. This call is also reflected in the recent Hong Kong movies. However, limited by narrative, it has a flavor, but it is not rich enough and exciting enough. It may be regarded as a test of water, but in the end it may be difficult to leave a aftertaste.